- Location
- London NW5
Been on a Hollywood binge the past few weeks and have seen several of the Oscars contenders. Listed in order of personal preference:
Brooklyn: just brilliant. Hope this wins best picture and Saoirse Ronan picks up best actress.
Carol: less than the sum of its parts: two fantastic performances but overall not quite at the same level as Brooklyn.
The Hateful Eight: a return to form (although I haven't seen Django Unchained) with the additional bonus of an original Ennio Morricone score.
Bridge of Spies: thought this would have been a better film had it finished 10 minutes earlier and left out the sledgehammer symbolism of the final few scenes. Mark Rylance's performance is extraordinary though: impossible to take your eyes off him despite him saying and doing very little in most of his scenes.
Joy: all about Jennifer Lawrence, who picks up where she left off in American Hustle and acts everyone else off the screen.
The Revenant: watched this last night. Reminded me a little of Apocalypto. Both are impressive in terms of filmmaking; but both are films that you experience and then promptly forget about. I can't imagine wanting to watch either of them again.
And a couple of older films:
Winter's Bone: another standout Jennifer Lawrence film but pretty grim subject-wise and the, at times, incomprehensible dialogue makes the narrative difficult to follow.
Frank: bizarre but very funny; felt like it could have been written by Charlie Kaufman.
Brooklyn: just brilliant. Hope this wins best picture and Saoirse Ronan picks up best actress.
Carol: less than the sum of its parts: two fantastic performances but overall not quite at the same level as Brooklyn.
The Hateful Eight: a return to form (although I haven't seen Django Unchained) with the additional bonus of an original Ennio Morricone score.
Bridge of Spies: thought this would have been a better film had it finished 10 minutes earlier and left out the sledgehammer symbolism of the final few scenes. Mark Rylance's performance is extraordinary though: impossible to take your eyes off him despite him saying and doing very little in most of his scenes.
Joy: all about Jennifer Lawrence, who picks up where she left off in American Hustle and acts everyone else off the screen.
The Revenant: watched this last night. Reminded me a little of Apocalypto. Both are impressive in terms of filmmaking; but both are films that you experience and then promptly forget about. I can't imagine wanting to watch either of them again.
And a couple of older films:
Winter's Bone: another standout Jennifer Lawrence film but pretty grim subject-wise and the, at times, incomprehensible dialogue makes the narrative difficult to follow.
Frank: bizarre but very funny; felt like it could have been written by Charlie Kaufman.