Many would argue that there are two outstanding, terroir-driven wine regions in the world. One is undoubtedly Burgundy and, high in the hills of northwest Italy, the other is Barolo. In both regions a patchwork of individual vineyard ‘Crus’ is celebrated. Winemakers bottle multiple cuvées of seemingly very similar wines: same grape, same winemaker, the vineyards often only metres apart. Terroir, they say, makes each small plot different, and that’s what creates a distinct expression of their wine.
A prime example of this philosophy is G.D. Vajra, an independent, family-owned and run winery in Barolo. G.D. Vajra owns a total of 80 hectares of vineyard, all at high altitude. They offer several expressions of Cru Barolo as well as wines from nearby appellations like Dolcetto and Barbera d’Alba, and Nebbiolo from the Langhe. Interestingly, the family also champions some less common grapes for Piedmont, including Riesling and the red variety, Freisa. I was able to catch up with winemaker Giuseppe Vajra (right) in a recent Zoom tasting.
Giuseppe showed an image of the Barolo area’s main valleys and location of their vineyards, all at altitude which he describes a “blessing in the time of climate change.” Giuseppe’s father was “a city boy” from Turin, and the only member of the family who wanted to be a farmer. Having spent time living with his grandparents in Barolo in his youth, he began his working life there as a share-cropper, which Giuseppe describes as the “seed of G.D. Vajra.”
Vajra’s wines are certified organic and the estate has been run on organic principles since 1971. Back then, explained Giuseppe, this was seen as a rather strange, even dubious move. Luckily his father found a professor at a local university who was already studying the effect of organic farming – something of a no-go area in a time, just as the influence of large chemical companies was rising.
In terms of the winemaking, Giuseppe says he is “drawn towards,” spontaneous fermentations with natural yeast, but is pragmatic about it and will innoculate with local yeast strains when he thinks the vintage would benefit from them.
Maturation is mostly in large Slavonian oak vats, and in 2019, largely featured here, he used much shorter skin contact than in previous vintages – up to half the normal 50 to 55 days. This, explained Giuseppe, was to counteract a warm and dry vintage where presumably over-extraction was a danger. On 2019 overall, he thinks it is shaping to be a mid-weight vintage, “not at full volume,” that should show minerality and transparency for those who love that style.
The Wines
G.D. Vajra’s UK importer is Liberty Wines.
G.D. Vajra, Dolcetto d'Alba Coste & Fossati 2022
Piedmont, Italy, Dry Red, Cork, 14.0% abvG.D. Vajra, Barbera d'Alba Superiore 2021
Piedmont, Italy, Dry Red, Cork, 15.0% abvG.D. Vajra, Langhe Freisa Kyè 2021
Piedmont, Italy, Dry Red, Cork, 14.5% abvG.D. Vajra, Barolo Coste di Rose 2019
Piedmont, Italy, Dry Red, Cork, 14.0% abvG.D. Vajra, Barolo Ravera 2019
Piedmont, Italy, Dry Red, Cork, 14.0% abvG.D. Vajra, Barolo Bricco delle Viole 2019
Piedmont, Italy, Dry Red, Cork, 14.0% abv
Bricco delle Viole is a high vineyard peaking at 450 metres. It is planted on distinctive chalk soils with iron oxide and manganese. Giuseppe Vajra believes that gives a more restrained personality, from very old vines, some dating back almost 100 years. There's such a polished, luxurious quality to this wine, that begins aromatically with mocha coffee underpinning ripe, dark vine fruits. I tasted this wine twice, not decanted, but the bottle sealed over a couple of days, in which time highlights of violet and a hint of patchouli fragrance emerged, but the calm and collected elegance remained. In the mouth the tannin and acid profile is tight and firm rather than aggressive, spices join the black fruit flavours, with nuances of Seville orange and liquorice adding to the complexity. At time of review most stockists offer this wine only by the case.

Hi tom – is there supposed to be more than one tasting note – there seems to be 5 additional notes embedded, which, plus the Bricco delle Viole would make 6, but they are not displaying (I’m using Chrome).
Apologies Paul and we’ll spotted. Now fixed and all notes visible.