Lunch at the Ritz

A couple of previous visits had provoked a little mild jealousy on the home front so when it came to a small celebration the choice of venue was clear. What pleasure the restaurant provides for those of us who yearn for a largely fictitious gastronomic past, everything here somehow offers the flavour of things as they used to be in my imagination even while my lived experience tells me that they are in truth much better now.
I had rather banked on the magnum of Roederer Brut Premier on the list to take us right through lunch, but sadly there were none left. Instead I ordered a bottle of Billecart-Salmon Reserve, a lovely if ultimately not thrilling bottle the pleasure of which was at least doubled by drinking it in the matchlessly hokey yet ultimately not vulgar dining room in which for a small investment one can pretend to be a plutocrat for three hours, and a new wine for me, the Travaglini Gattinara 2018, a wine by which I was absolutely thrilled, so much so that I am only half inclined to seek out more and instead enjoy the memory. It may after all not taste quite so ravishingly rosehip bitter sour savoury radiant in the slightly more modest surroundings of a West Ealing kitchen.
The cuisine here could not be further from the neo-Scandi cutting edge the spirit of which is more and more pervasive in ambitious kitchens, it is entirely about the calme, luxe and volupté of the international squillionaire who wishes ultimate deliciousness without challenge. The tiny amuses-bouches were exactly as they were in July, a duck-liver mousse covered in cherry glaze and a sphere of Ragstone garnished with basil. The eye-watering technical perfection of the pastry section here is I suspect unmatched elsewhere in the UK, and the same may be true of the quality of ingredients brought into the kitchen.
We followed quite elaborate dishes of pristine crab and lobster with a Bresse duck served for two, the breast carved at table with unflappable skill and alacrity and served with a variety of apposite and bewilderingly precise yet not obtrusive garnishes, a fairly light gravy heightened by discreet smoked beetroot puree and the legendary soufflé potatoes. One doesn't really need to eat such things but they are technical marvel. The restaurant manager told me that they are made with Maris Otter potatoes. It only occurred to me later that Maris Otter is a brewing barley, so he must have meant Piper or Peer, I suppose, and that the secret is an incredibly sharp mandoline which has to be replaced every month. The legs came later on on a very classic salad with orange segments. What puzzled me was that rather than being grilled and returned with a bit of crunch and toughness as I had hoped they had been confited in duck fat and covered in a sort of Christmas Ham breadcrumb. I didn't really see how that could have been done in twenty minutes and confronted the manager with my perception and he admitted that it was the legs of a previous duck which we were eating. It was jolly nice, though confit being a preserved product should have more salt, but I must admit to a certain disappointment and the same sense of being deprived of all the other bits as at Min Jiang. Perhaps international squillionaires are not prepared to tolerate the coriaceous.
I'm afraid it was probably rather childish of us to order Crepes Suzette for pudding rather than something more outlandishly virtuosic from the pastry department, but I am in some ways a sad L'Ami Louis obsessed old fool and they were done with as much panache, generosity and perfection as one would expect and I loved them even though I don't like pudding. Petits Fours with excellent and probably staggeringly costly coffee continued the theme of jewel-like precision.
Obviously quite expensive, about the same price as a mid-range 'weekend break' which would probably have made me thoroughly miserable, but money very well spent.
 
I rather like the idea of going to the Ritz - the food sounds very attractive, but I am slightly traumatized by the photos of the interior for which they seem to have used Barbara Cartland as the interior decorator. I presume that formal attire is required too.

Jacket and tie for men, lunch and dinner. It's worth the agony and the dining room is not as OTT as photos might indicate - just very grand
 
The Ritz is still on my "to do" list.

Vicki would particularly like to go to "Saturday Night at The Ritz" with the live pianist, dancers etc, which I can handle as you do also get the full dining experience. We did actually have this booked during summer 2020, though something called covid came along and buggered up our plans. Maybe time to rebook.
 
For those who have been, how cheesy/intrusive is the pianist (also features on other nights I believe) and the rest of the entertainment? I want to take my father for the duck, but he might hate the music.
 
I rather like the idea of going to the Ritz - the food sounds very attractive, but I am slightly traumatized by the photos of the interior for which they seem to have used Barbara Cartland as the interior decorator. I presume that formal attire is required too.
I believe she was a very regular customer. I am fascinated by Dame Barbara, probably the only author in history who could write a book before luncheon.
When I was in Germany in the 1990s her popularity seemed to know no bounds. I wonder if that is still the case.
For those who have been, how cheesy/intrusive is the pianist (also features on other nights I believe) and the rest of the entertainment? I want to take my father for the duck, but he might hate the music.
There's a pianist in the dining room only in the evening though at lunch one hears the distant tinkle of the afternoon tea pianist. In the evening I must admit that I could do with a bit less(or ideally none) of it but the cheese quotient is not particularly high. It is I think outdated given the quality of the cuisine nowadays, which wasn't at all a selling point back in the day, but they are careful to please their longtime customers(it pleased us yesterday to be among the more youthful tables) and the manager told us that he still makes Steak Diane at the table on request! If you're going for the duck order the pressed duck in advance; they now have two presses, one recently acquired from a private residence.
 
I believe she was a very regular customer. I am fascinated by Dame Barbara, probably the only author in history who could write a book before luncheon.
When I was in Germany in the 1990s her popularity seemed to know no bounds. I wonder if that is still the case.

There's a pianist in the dining room only in the evening though at lunch one hears the distant tinkle of the afternoon tea pianist. In the evening I must admit that I could do with a bit less(or ideally none) of it but the cheese quotient is not particularly high. It is I think outdated given the quality of the cuisine nowadays, which wasn't at all a selling point back in the day, but they are careful to please their longtime customers(it pleased us yesterday to be among the more youthful tables) and the manager told us that he still makes Steak Diane at the table on request! If you're going for the duck order the pressed duck in advance; they now have two presses, one recently acquired from a private residence.
Any thoughts on the wine flights they offer?

I assume Classic means obscure and not much cop, the next rank being obscure and fair cop, the top rank being unobscure but not really worth it?
 
We're going again for dinner in December, and I confess I chose an early table mainly because music and dancing starts later in the evening - personally (and meaning no offence to anyone who loves it) I normally find live music, let alone dancing, in a restaurant to hugely detract from the experience. Generally I hate it, whatever the genre or talent of the perfomers. We went to 28-50's late night jazz club last year and couldn't hear a word of each other's conversation, and the moody lighting was so dark that we couldn't read the menus. A live piano and vocalist at The Ubiquitous Chip a couple of weeks ago was a very, very unwelcome innovation.
 
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Any thoughts on the wine flights they offer?

I assume Classic means obscure and not much cop, the next rank being obscure and fair cop, the top rank being unobscure but not really worth it?

I didn't really look, Jeremy, but they are a committed and knowledgeable team heavily engaged in rebuilding after the Barclay years when the cellar was decimated and neglected. It couldn't be said to be a great list at present but there are plenty of things to drink.
 
From The Ritz Website:

Entertainment

The London Dance Orchestra performs every Friday and Saturday. Under the direction of acclaimed Musical Director Robin Harris, The London Dance Orchestra is one of the UK’s most respected swing dance bands, entertaining audiences with an imaginative interpretation of the American Songbook and masterful recreations of the epic sounds from the big band era. Renowned vocalist Iain Mackenzie (the principal male vocalist with the Ronnie Scott’s Jazz Orchestra) will be singing most Friday and Saturday evenings in our Michelin-starred Ritz Restaurant, accompanied by a swinging rhythm section and horn frontline.

The London Dance Orchestra formed in 2012 and were quickly acknowledged for their ability to execute a style of rhythmic playing which supported the dancers on the floor and has kept the band highly in demand ever since. The musicians have performed with an exceptional selection of talented artists including Van Morrison, Tom Jones, Emeli Sandé, Jools Holland, Bryan Ferry, Paloma Faith and more.

Professional dancers Majella Presents performs a full, theatrical production that encompasses a unique blend of dance and costume to transport and immerse you into the past.
 
From The Ritz Website:

Entertainment

The London Dance Orchestra performs every Friday and Saturday. Under the direction of acclaimed Musical Director Robin Harris, The London Dance Orchestra is one of the UK’s most respected swing dance bands, entertaining audiences with an imaginative interpretation of the American Songbook and masterful recreations of the epic sounds from the big band era. Renowned vocalist Iain Mackenzie (the principal male vocalist with the Ronnie Scott’s Jazz Orchestra) will be singing most Friday and Saturday evenings in our Michelin-starred Ritz Restaurant, accompanied by a swinging rhythm section and horn frontline.

The London Dance Orchestra formed in 2012 and were quickly acknowledged for their ability to execute a style of rhythmic playing which supported the dancers on the floor and has kept the band highly in demand ever since. The musicians have performed with an exceptional selection of talented artists including Van Morrison, Tom Jones, Emeli Sandé, Jools Holland, Bryan Ferry, Paloma Faith and more.

Professional dancers Majella Presents performs a full, theatrical production that encompasses a unique blend of dance and costume to transport and immerse you into the past.

While I might (it's unlikely) buy tickets for it in a theatre, I think it just sounds absolutely horrendous to be going on in a room where I am trying to enjoy some of London's finest food.
 
While I might (it's unlikely) buy tickets for it in a theatre, I think it just sounds absolutely horrendous to be going on in a room where I am trying to enjoy some of London's finest food.
I wonder if that militates against a three star rating? It certainly sounds very well worth missing. As I suggested above, though, it is a tradition that stretches far further back than first-class cooking.
 
Also from the website, re Friday and Saturday evenings:

An a la carte menu is also available, however there will be an additional entertainment charge of £45 per person. From 1st January 2023, the entertainment charge will be £50 per person.

Think I might chance a midweek dinner sometime though.
 
We have been to the dinner dance at the Ritz on Friday and Saturday nights precovid. The food is as good as always and the professional dancers a very expressive couple who made the best of a small dance floor. Whether you are an accomplished ballroom dancer or happy to shuffle around it is fun.
I must go for lunch again soon and based on Thom’s post will try the Travaglini Gattinara 2018 if it is still available.
 
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I have no experience of Barbara Cartland aside from my father's retelling of a lunch he attended at her house in the Highlands in the 80s. From what I recall of his story, it was a very odd lunch, where he was one of several guests who happened to be fishing on nearby rivers - my mother was specifically not invited, and it later turned out that Dame Barbara would not tolerate other women at her lunch table. He didn't mention whether she wrote a book inbetween courses.
 
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